Cabo San Lucas Mega Yacht Playlist Total Runtime Target 5 hours 0 minutes to 5 hours 10 minutes Arc: Warm → Expansive → Playful → Anticipation → Peak → Romantic → Cinematic Close ======================== TEXTURE RULES FOR THE ENTIRE SET No harsh transitions No abrasive high end No distorted festival drops Space between vocal hooks No radio edits Approximately thirty percent instrumental sections Extended blends preferred If someone described the day afterward it should sound like "It felt like a movie", not, "It felt like a party" Vibe: Follow the arch of the day. Cruise starts at 2pm -> open water -> achor & snorkeling -> open water -> anchor & seadooing -> open water & sunset cruise ======================== ACT I — MARINA DEPARTURE AND ARCH PHOTOS 2 00 PM to 2 30 PM Length 30 minutes Mood Understated. Warm. Expensive. Effortless. This is easing out of the marina and circling the arch. No obvious drops in the first twenty minutes. Instrumental leaning. Let it breathe. Influence space Ben Böhmer Lane 8 RÜFÜS DU SOL Massane Creative direction Luxury hotel lobby at sea. Long harmonic blends. Nothing aggressive. No stacked vocals. Establish atmosphere without demanding attention. ======================== ACT II — OPEN WATER CRUISE AND WHALE WINDOW 2 30 PM to 3 30 PM Length 60 minutes Mood Expansive. Emotional. Horizon focused. Cruising toward Chileno Bay. This is where the music opens up. Allow one emotional swell moment that fully breathes. Influence space Anyma ARTBAT Adriatique Tinlicker Anchor reference Innerbloom type emotional pacing handled tastefully and extended. Creative direction Let tracks ride longer. Build tension gradually. Avoid tech house bounce here. This is cinematic and oceanic. ======================== ACT III — ANCHORED AT CHILENO BAY 3 30 PM to 4 30 PM Length 60 minutes Mood Bright. Playful. Sunlit. Snorkeling and swim platform energy. Groove increases slightly. Add vocal warmth but keep it elegant. Influence space SG Lewis Hayden James MEDUZA Purple Disco Machine Creative direction Playful and flirty without going peak. Shorter blends than Act II. Still refined. No heavy techno. ======================== ACT IV — OPEN WATER CRUISE TO MEDANO 4 30 PM to 5 00 PM Length 30 minutes Mood Anticipation. Lift. Momentum building. Leaving Chileno and heading toward Medano Beach. This is a ramp up section. Influence space Anyma Eric Prydz ARTBAT CamelPhat Creative direction Start tightening transitions. Increase percussive drive. This should feel like we are heading toward something. Controlled build, not full peak yet. ======================== ACT V — ANCHORED AT MEDANO BEACH AND WATERSPORTS 5 00 PM to 6 00 PM Length 1 hour Mood Confident. Alive. High energy but refined. Seadoo window and visible beach club energy. This is the peak section of the day. Influence space John Summit Dom Dolla Eric Prydz FISHER Creative direction Peak between 5 10 and 5 40 PM. Avoid stacking obvious festival anthems. Groove driven. Clean. Ibiza beach club at 4 PM energy, not Vegas pool party. ======================== ACT VI — SUNSET CRUISE BACK TO MARINA 6 00 PM to 7 00 PM Length 1 hour --> Phase 1 Golden Hour Descent 6 00 PM to 6 20 PM Mood Warm. Romantic. Intentional. Energy dissolves naturally. Longer blends return. Emotional warmth builds. Influence space RÜFÜS DU SOL Lane 8 Ben Böhmer Tinlicker Champagne refill. Eye contact energy. No abrupt BPM drop. --> Phase 2 Sunset Moment 6 20 PM to 6 40 PM Mood Timeless. Cinematic. Core memory. Required anchor Fleetwood Mac Dreams Optional lead in Stevie Nicks Edge of Seventeen Creative direction Seamless transition or subtle melodic instrumental layering so it flows naturally. No hard genre shift. Phase 3 Blue Hour Close 6 40 PM to 7 00 PM Mood Elevated. Smooth. Floating. Return to melodic house textures. Not sleepy. Not peak. Just euphoric glide back into marina lights. Influence space RÜFÜS DU SOL Lane 8 ODESZA